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A Myth of Two Souls is inspired by the epic tale The Ramayana. Drawing inspiration from the imagery associated with this myth and its pervasiveness in everyday Indian life, Vasantha Yogananthan is retracing the legendary route from north to south India. First recorded by the Sanskrit poet Valmiki around 300 BC, The Ramayana has been continuously rewritten and reinterpreted, and continues to evolve today. Yogananthan’s series is informed by the notion of a journey in time and offers a modern retelling of the tale.

A Myth of Two Souls is inspired by the epic tale The Ramayana. Drawing inspiration from the imagery associated with this myth and its pervasiveness in everyday Indian life, Vasantha Yogananthan is retracing the legendary route from north to south India. First recorded by the Sanskrit poet Valmiki around 300 BC, The Ramayana has been continuously rewritten and reinterpreted, and continues to evolve today. Yogananthan’s series is informed by the notion of a journey in time and offers a modern retelling of the tale.

A Myth of Two Souls is inspired by the epic tale The Ramayana. Drawing inspiration from the imagery associated with this myth and its pervasiveness in everyday Indian life, Vasantha Yogananthan is retracing the legendary route from north to south India. First recorded by the Sanskrit poet Valmiki around 300 BC, The Ramayana has been continuously rewritten and reinterpreted, and continues to evolve today. Yogananthan’s series is informed by the notion of a journey in time and offers a modern retelling of the tale.

In this fourth chapter of his project A Myth of Two Souls, Vasantha Yogananthan retraces the episode of the abduction.

“Dandaka” is the fourth chapter of Vasantha Yogananthan’s long-term project A Myth of Two Souls, which offers a contemporary retelling of The Ramayana. A seven-chapter tale first recorded by the Sanskrit poet Valmiki around 300 BC, The Ramayana is one of the founding epics of Hindu mythology.

Since 2013, Yogananthan has been travelling from north to south India, retracing the itinerary of the epic’s heroes. Between fiction and reality, he deliberately blurs the lines through multiple aesthetic approaches: colour, hand-painted and illustrated photographs are interspersed with vernacular images to compose the layers of this timeless story.

The end of chapter three sees Lakshmana cut Surpanakha’s nose off. After seeing his sister disfigured, Ravana, the king of Sri Lanka, starts to plot his revenge. Rama and Lakshmana have no idea that their barbaric act – the mutilation of a woman – has sealed Sita’s fate. The fourth chapter tells about Sita’s abduction by Ravana. The Ramayana has been continuously rewritten and reinterpreted through time, Dandaka mixes strips from the comic book version of the epic, which was published in the 1970s, along with Vasantha Yogananthan’s photographs.

A Myth of Two Souls will be published in seven photobooks between 2016-2020, one per chapter of the epic.

Portraits of fans on pilgrimage, captured by Clémentine Schneidermann, ready to cross the Atlantic to celebrate their idol.

Liz named her daughter Lisa Marie, just like Elvis Presley’s daughter. French photographer Clémentine Schneidermann met Liz in Newport, Wales, a few miles away from the world’s largest festival to “the king”. Each year Liz joins tens of thousands of fans at the seaside resort of Porthcawl to celebrate the life and music of their icon, Elvis Presley.

From 2013 to 2017, Schneidermann joined too, creating portraits of fans Alison and her son, Steve, Samantha and Ian – among many others, for her series I Called her Lisa Marie. Schneidermann spent a lot of time with these people, using her camera to capture the poignancy of this flamboyant gathering where the life and music of the king offers a moment of solace.

Schneidermann is based in Cardiff, and travelled with the Alison and her son from Wales to where it all began in Memphis. She met the pair at the festival, where Alison’s son was performing under the stage name Johnny B. Goode. Schneidermann documented their pilgrimage across the Atlantic, creating Johnny B. Goode, a visual travel diary that is presented with I Called her Lisa Marie here in her first monograph.

Like a journey crafted with four hands, Astres Noirs is a luminous breakthrough that reveals traces, faces, and the world’s hidden dust.

Astres noirs is the debut book for both Katrin Koenning and Sarker Protick, artists who live thousands of miles apart whose peculiar photographic wanderings create a hauntingly beautiful dialogue. This book presents photographs taken on mobile phone cameras, devices used to capture their everyday in an impulsive and almost obsessional way, documenting life from their doorsteps to far afield.

Their photographs capture the commonplace such as water stains on asphalt, dust clouds and rays of light, and transform these into mesmerising frames – elusive fragments that evoke an imaginary creature, a milky way, a phosphorescent silhouette…

Presented together, their combined voices lead us on a journey into unexplored territory, somewhere between the everyday and paranormal, between night and day. Amongst enveloping darkness, lightness is revealed, dazzling and miraculously caught by discerning eyes.

Like a journey crafted with four hands, Astres Noirs is a luminous breakthrough that reveals traces, faces, and the world’s hidden dust.

Astres noirs is the debut book for both Katrin Koenning and Sarker Protick, artists who live thousands of miles apart whose peculiar photographic wanderings create a hauntingly beautiful dialogue. This book presents photographs taken on mobile phone cameras, devices used to capture their everyday in an impulsive and almost obsessional way, documenting life from their doorsteps to far afield.

Their photographs capture the commonplace such as water stains on asphalt, dust clouds and rays of light, and transform these into mesmerising frames – elusive fragments that evoke an imaginary creature, a milky way, a phosphorescent silhouette…

Presented together, their combined voices lead us on a journey into unexplored territory, somewhere between the everyday and paranormal, between night and day. Amongst enveloping darkness, lightness is revealed, dazzling and miraculously caught by discerning eyes.

The first trilingual monograph of this sedentary adventurer, one of the masters of Japanese photography.

Shoji Ueda (1913-2000), one of Japanese photography’s most remarkable figures, remained profoundly attached to his birthplace of Tottori, on the Sea of Japan, which he used as a backdrop for the vast majority of his work.

Ueda was a sedentary adventurer, ceaselessly exploring the dunes that sculpted the landscape throughout the seasons. His keen eye was drawn to everything around him: a map of the world, a wheat field caressed by the wind, a boy in roller skates, the graceful figure of his wife, Norie…When Ueda wasn’t out wandering, he composed still lives of seasonal fruit and incongruous objects, small treasures found here and there.

This publication is the first trilingual monograph devoted to his work, and brings together a great many previously unpublished photographs, in both black and white and colour. For the occasion, Chose Commune has given carte blanche to the writer Toshiyuki Horie (Yukinuma and Its Environs, The Bear And The Paving Stone), whose text is like musical notes resonating with the photographer’s distinctive universe.

This is the first book published by Chose Commune. Piémanson is a five-summer exploration of France’s last wild beach.

“Piémanson” is an exploration of daily life on the last wild beach in France. The beach’s history began in the 1970s when locals set up camp there with no rights or deeds.

Nowadays, thousands of campers from all over Europe get together every summer season, looking for a freedom that they can’t find anywhere else. Vasantha Yogananthan camped with the inhabitants of Piémanson for five summers, from 2009 to 2013. This book tells their story.

Masako Tomiya follows the passage of time through nature’s renewal and births, where the figure of the woman is omnipresent.

Masako Tomiya is a photographer originally from the region of Aomori, north Japan. She has lived in Tokyo for years, and one day, she received news that her sister and sister-in-law, who live near her hometown, were both pregnant. This news inspired Tomiya’s series Kito, a reflection on identity, family, transmission and the passing of time.

“Kito” means “homeward” in Japanese. Inverted, “toki” takes on a completely different meaning: “time”. In her poetic series, Tomiya plays with this dual sense. Her reflective photographic journey is undertaken with a subtle meditation on nature, and its seasonal transformation, alongside a representation of human life through women. Tomiya stages self-portraits and captures the daily lives of her mother, sisters and new-borns, to explore how her sense of home has altered with time.

I’ve lived my life asking myself
“What am I? What is this world?”
For a long time, I wandered without answers, and before I knew it I was older.
Had time flown by, or was it all a dream resembling a memory?
This story transcends time and meaning and self
by staring down the idea of “myself.”

In this third chapter of his project A Myth of Two Souls, Vasantha Yogananthan tells the story of the two heroes’ exile.

“Exile” is the third chapter of Vasantha Yogananthan’s long-term project A Myth of Two Souls, which offers a contemporary retelling of The Ramayana. A seven-chapter tale first recorded by the Sanskrit poet Valmiki around 300 BC, The Ramayana is one of the founding epics of Hindu mythology.

Since 2013, Yogananthan has been travelling from north to south India, retracing the itinerary of the epic’s heroes. Between fiction and reality, he deliberately blurs the lines through multiple aesthetic approaches: colour, hand-painted and illustrated photographs are interspersed with vernacular images to compose the layers of this timeless story.

The end of chapter two announces that Rama is banished from the kingdom, forced to live in exile during fourteen years. The third chapter tells about Rama’s life in the forest, where he is joined by Sita and his brother Lakshmana. The Ramayana has been continuously rewritten and reinterpreted through time, and for Yoganathan’s book has been retold by Indian writer Arshia Sattar.

A Myth of Two Souls will be published in seven photobooks between 2016-2020, one per chapter of the epic.

Shoji Ueda (1913-2000), one of Japanese photography’s most remarkable figures, remained profoundly attached to his birthplace of Tottori, on the Sea of Japan, which he used as a backdrop for the vast majority of his work.

Ueda was a sedentary adventurer, ceaselessly exploring the dunes that sculpted the landscape throughout the seasons. His keen eye was drawn to everything around him: a map of the world, a wheat field caressed by the wind, a boy in roller skates, the graceful figure of his wife, Norie…When Ueda wasn’t out wandering, he composed still lives of seasonal fruit and incongruous objects, small treasures found here and there.

This publication is the first trilingual monograph devoted to his work, and brings together a great many previously unpublished photographs, in both black and white and colour. For the occasion, Chose Commune has given carte blanche to the writer Toshiyuki Horie (Yukinuma and Its Environs, The Bear And The Paving Stone), whose text is like musical notes resonating with the photographer’s distinctive universe.

Edition of 21 comprising a first edition book with one of two inkjet prints by Vasantha Yogananthan (21 x 25 cm, signed and numbered on the reverse), housed together in a 32 x 26 cm clamshell box, handmade by La Reliure Contemporaine (Morina Mongin).
Each box is unique and may look slightly different from the picture.