Category: collages

On colourful backgrounds of his own creation, Vuyo Mabheka reclaims his history. With the few photos he has of himself as a child, imagination merges with reality.

The Afrikaans word “pophuis” refers to a dollhouse game familiar to children. Vuyo Mabheka builds the Popihuise series based on this game, using cutouts from rare childhood photos of himself. He creates interiors and scenes where he appears, sometimes accompanied by imaginary friends — represented by people from his community whom he has secretly photographed, and sometimes in the presence of a fantasised and faceless father figure.

The series features a few core elements: drawings, collages, and photographs, coexist in a seemingly naïve and tender universe. Shiny cars, skyscrapers, burning tires, and new pavilions contrast with cultivated fields, colourful birds, graffiti, and blossoming trees.

Among these images, which highlight the tension between liberalism and modernity, stands a child almost helpless in the face of his harsh reality: Vuyo Mabheka, who is rewriting his memories and reclaiming his own world.

Popihuise is Vuyo Mabheka’s first book.

Using traditional techniques like embroidery, cutting, and collage, Julie Cockburn enhances abandoned photos she collects, giving them a second life and adding a layer of mystery to their forgotten past.

“Stickybeak” is Julie Cockburn’s first comprehensive monograph.
The book coincides with Cockburn’s solo show “Telling it slant” at Flowers Gallery in London, UK (12 September-2 November 2019)

We are all stickybeaks to some extent. Many of my fictional heroes and heroines spend their time sleuthing or, at the very least, nosing around in other people’s business; Miss Marple, Lieutenant Columbo, Margo Leadbetter. There are even tales of espionage in my not so distant family history. Anyone with a social media account engages in a bit of stickybeakery – it’s human nature to be inquisitive.

The works in this book were made over a period of twelve years, some one-off experiments, others part of ongoing series that I add to over time. Each piece began with the search for the perfect image, setting some vaguely rigorous parameters for myself. I selected used postcards, old photographs, foxed bookplates and my own childhood drawings. And each of these foundlings had a different history, an unknown or forgotten story to tell. By submitting to my interventions, they transformed from silent, redundant, orphans into material objects with a regenerated heartbeat.

I see this book as a continuation of that process. The publishers rooted through the hundreds of images in my archive in the same way I sift through pages of online marketplaces or the jumbled tables at car boot fairs. My industrious hand embroidery and intricate collages are given a light touch here, the sequence of the images alluding to a gentle, humorous narrative. We will all read it differently, pausing on those pieces that speak the loudest to us, in our own preferred language. But broadly, this whittled selection, our chosen game of consequences, investigates how we see ourselves and each other, and the multi-layered ambiguity of life.

Julie Cockburn