Category: usa


















Deanna Dikeman
Leaving and Waving
This book presents 27 years of Deanna Dikeman photographing her parents waving goodbye as she left their home after a visit. Just as she was driving away, Dikeman invariably pointed her camera at her parents. What started with a candid snapshot in 1991 turned into a ritual over the years. The book chronicles their farewells as seasons change and years go by, separating black and white photographs from colour photographs. Leaving and Waving — which was originally part of a larger body of work entitled Relative Moments — is a heartfelt exploration of family, the passage of time and the sadness of leaving.
Concept and Editorial direction: Cécile Poimboeuf-Koizumi
Design: bureau Kayser
112 pages
66 photographs (27 colour plates, 39 duotone plates)
19 x 23,5 cm
Section-sewn hardcover
English / French
Publication date: first edition March 2021
ISBN : 979-10-96383-21-4
- British Journal of Photography
- Fotografare
- Riposte
- Rai Cultura
- Tamron Hall Show
- Réponses Photo
- Paper Journal
- The Brooklyn Rail
- GUP magazine
- Stadt
- LIKE
- i-D France
- De Standaard
- der Freitag
- Bulgaria’s Capital Weekly
- American Suburb X
- Harper’s Magazine
- Tracce
- The British Journal of Photography
- Taz
- Konbini Arts
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Clémentine Schneidermann
I Called Her Lisa-Marie
This print is part of a series of 5 prints by women photographers that we have previously published: Clémentine Schneidermann, Mikiko Hara, Moe Suzuki, Irina Rozovsky and Deanna Dikeman.
C-print
Image format : 20,7 x 20,7 cm
Print format: 24 x 24 cm
The print is sold with a copy of the book "I Called Her Lisa-Marie" (first edition)
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Deanna Dikeman
Leaving and Waving
This print is part of a series of 5 prints by women photographers that we have previously published: Deanna Dikeman, Clémentine Schneidermann, Moe Suzuki, Irina Rozovsky and Mikiko Hara.
Inkjet print on 100% cotton fiber archival paper
Image format: 20 x 15,3 cm
Print format: 22,5 x 18 cm
The print is sold with a signed copy of "Leaving and Waving"
- British Journal of Photography
- Fotografare
- Riposte
- Rai Cultura
- Tamron Hall Show
- Réponses Photo
- Paper Journal
- The Brooklyn Rail
- GUP magazine
- Stadt
- LIKE
- i-D France
- De Standaard
- der Freitag
- Bulgaria’s Capital Weekly
- American Suburb X
- Harper’s Magazine
- Tracce
- The British Journal of Photography
- Taz
- Konbini Arts
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Vasantha Yogananthan
Mystery Street
In a fragment of summer that lingers, where the New Orleans sun seems to suspend the ephemeral, Vasantha Yogananthan positions himself at child’s height, presenting the city as a vast playground.
Mystery Street begins and ends with children. Children playing, beaming and daydreaming. Children becoming. In his first North-American series, French photographer Vasantha Yogananthan stands next to the youth and gazes at their level.
With this project, Yogananthan makes a return to documentary photography, yet frees himself from prescriptions and pushes beyond the frame of tradition. Mystery Street works both as a conversation with the real and an escape into multiple narrative possibilities. If this body of work is mainly composed of portraits, Yogananthan’s preferred genre, it is not intended as a comprehensive portrait of New Orleans.
Set under the burning sun of Louisiana, this body of work is a fable, it says something about reality, but uses crossroads. It is a comment on human behaviors and yet a transfiguration of the common.
Fragments of a lingering summer, Mystery Street provides us with a minimum of information about space, time, or place, aware of how some figuration bears great weight. In an effort to suspend or avoid overdetermination, he invites viewers to be caught by their own expectations. A turning point in Vasantha Yogananthan’s practice, Mystery Street takes a caring look at kinship, at the intersection of body and environment.
This body of work has been shown at the Henri Cartier-Bresson Foundation (Paris) from May to September 2023 and is now showing at the International Center of Photography (New York City) until January 2024. It was produced as part of Immersion, a French-American Photography Commission of the Fondation d’entreprise Hermès, in partnership with the Fondation Henri Cartier-Bresson and the International Center of Photography.
He is a self-taught photographer who is deeply attached to silver photography. The book is a central object in his practice, which led him to co-found the publishing house Chose Commune. He has carried out his projects over a long period of time, first in France on the beach at Piémanson (2009-2013), then in India and Sri Lanka Sri-Lanka around the myth of the Rāmāyana (2013-2021). In 2022, he carries out a new project in New Orleans, USA, as part of the Immersion program of the Fondation d'entreprise Hermès, of which it is a winner. He is represented by Jhavery contemporary (Mumbay) and The Photographers’ Gallery Print Sales (London).
Editorial direction: Cécile Poimboeuf-Koizumi
Design: Bureau Kayser
Texts: Taous Dahmani & Vasantha Yogananthan, Clément Chéroux & Agnès Sire
164 pages
74 plates
26,5 x 29,5 cm
Section-sewn open spine softcover with printed dust jacket
French / English
Publication date: May 4th 2023
ISBN: 979-10-96383-38-2
Co-publication Chose Commune / Fondation Hermès
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Deanna Dikeman
Relative Moments
In Deanna Dikeman’s family album, ordinary moments embody universal truths and become a source of daily wonder.
After publishing Leaving and Waving in 2021, which presented only a glimpse of Deanna’s Dikeman’s 3-decade journey to document her family, Chose Commune is proud to introduce the photographer’s larger series in an exhaustive 300-page book: Relative Moments.
In Relative Moments, Deanna Dikeman chronicles ordinary moments of her family’s activities. From gardening to cutting cake, from filling up the bird bath to mending a piece of clothing, from mowing the lawn to picking rhubarb, one gets to discover an everyday that might otherwise go unnoticed. In this book, which was generously edited and sequenced — 200 photographs in total — one is not only meant to see the moment shot in one photograph, but all the moments that compose the story.
This project captures a visual history of the photographer family’s life, yet, there is an ongoing narrative embedded in these photographs that conveys larger, more universal truths about American culture, familiarity, and the endless source of everyday wonder that surrounds us.
Concept, editing and sequencing: Cécile Poimboeuf-Koizumi
Design: Cécile Poimboeuf-Koizumi, in collaboration with Perrine Serre
304 pages
200 plates
21.5 x 26 cm
Section-sewn hardcover
French / English
Publication date: April 2024
ISBN: 979-10-96383-41-2