Category: photography

In this sixth chapter of his project A Myth of Two Souls, Vasantha Yogananthan recounts the episode of the war, which raises questions about death and reincarnation.

Afterlife is the sixth chapter of Vasantha Yogananthan’s long-term project A Myth of Two Souls inspired by the epic tale The Ramayana. Drawing inspiration from the imagery associated with this myth and its pervasiveness in everyday Indian life, Vasantha Yogananthan has retraced the legendary route from north to south India. A Myth of Two Souls is informed by the notion of a journey in time and space and offers a modern retelling of the tale.

Afterlife is centered around the bloody war between the army of Ravana and the army of Rama. As its title suggests, the chapter deals with death and reincarnation. With Rama’s cruelty finally revealed, the series can be read as a visual exploration of one man’s descent into the darkness of the soul. Although the pictures were shot in Rajasthan and Tamil Nadu over two editions of Dussehra — the Indian festival celebrating the victory of good over evil — they do not document the festivities. They focus on the trance people try to reach night after night, as if during one week they were allowed to escape their bodies to become somebody else.

Back to his studio, Yogananthan did collages by mixing several pictures together to put the viewer in a state of disorientation. The Ramayana has been continuously rewritten and reinterpreted through time, and for Yogananthan’s Afterlife has been retold by Indian writer Meena Kandasamy. Amma — the seventh and last chapter of A Myth of Two Souls — will be published next year and will mark the end of the project (2013-2021).

In this seventh and final chapter of his project A Myth of Two Souls, Vasantha Yogananthan explores the concept of purity and the infinite cycle of life represented by the myth of the Ramayana.

A Myth of Two Souls (2013-2021) is inspired by the epic tale The Ramayana. Drawing inspiration from the imagery associated with this myth and its pervasiveness in everyday Indian life, Vasantha Yogananthan has retraced the legendary route from Nepal to India to Sri Lanka. First recorded by the Sanskrit poet Valmiki around 300 BC, The Ramayana has been continuously rewritten and reinterpreted, and continues to evolve today. Yogananthan’s series is informed by the notion of a journey in time and space and offers a modern retelling of the tale.

The seventh and last chapter, Amma (‘Mother’ in Tamil language) closes the project A Myth of Two Souls, after 437 pictures published over seven books (2016-2021). To celebrate this epic saga, Chose Commune releases a very special book in close collaboration with the artist — a book with 60 photographs tipped-in by hand (printed and bound in Italy).

Amma is centered around the princess Sita and deals with the concept of ‘purity’. By no means a happy ending, the closure of The Ramayana forces us to question Rama’s behaviour and his obedience to rules set by a patriarchal society. On the other hand, Sita’s beliefs and actions are free from culture. Sita means furrow in sanskrit, she is the daughter of the Earth.

The pictures composing Amma take us from the seacoast of Sri Lanka, to the city of Ayodhya to the jungle of Bihar, India. Their chromatic scale recreate a world where civilization gradually disappears to leave room to a purely metaphysical space. The Ramayana has neither end nor beginning. It represents the circle of life and therefore it will always be.

Issei Suda’s vivid scenes capture the energy of Tokyo and its surroundings, where the protagonists are caught in their unique moments.

The story behind 78 tells of a promise kept after the passing of the Japanese master of photography Issei Suda, to publish a book with an original approach. Although the project originated in January 2019, 78 presents a selection of unseen photographs selected from the Suda archive in November 2019. Shot between 1971 and 1983, these photographs have never been published until this day.

In this book, Suda’s unique and profoundly urban vision unfolds in a series of contrasts and allusions. The unexpected presence of animals and children’s mischievous looks fill up the streets, adding a sense of strangeness to these everyday scenes. From Tokyo to its surrounding prefectures, the photographer’s striking world is immersed in urban energy, bringing out – with a hint of humour – its spirit. The same energy can also be found in Suda’s trademark deep and contrasted blacks, a unique hallmark of his work.

“It was only upon our return to France that I realised Suda had passed away at 78, the exact number of prints we had intuitively selected on that autumn afternoon. This book is a tribute to the great photographer he was.”

Cécile Poimboeuf-Koizumi

Thirty years of travel and encounters along a Russian river, where Claudine Doury captures the evolution of landscapes, generations, and traditions.

Amour diaries photographer Claudine Doury thirty year quest along the banks of the Amur River in Russia. She journeyed along its banks in 1991, 1997 and 2018, making images that meet together in this book. As generations pass, the surroundings of the river shift and the traditions of the Siberian-descended people – wither.

During her ‘odyssey’, the ties Claudine Doury patiently wove with the families and landscapes around the river translated into powerful and timeless images. Amour brings together her black and white and colour photographs with archival images, and reveals the photographer’s intimate and sensitive relationship with this territory and its history.

‘All they know is that in winter people arrive from the far north on reindeers to buy some bread, but not even the old men know what sort of people they are or where they come from.’

Anton Chekhov, The Island: A journey to Sakhalin, Washington Square Press, 1967

Like a journal, Halfstory Halflife documents in black and white the happenings of a place where the local youth gather to challenge gravity and the expectations of life.

Over the course of multiple summers, Raymond Meeks has ventured the few miles from his rural home in the Catskill Mountain region of New York, to a single-lane bridge spanning the tributaries of Bowery and Catskill Creeks. Beneath the bridge, a waterfall drops sixty-feet over moss-covered limestone toward a forbidding pond. The local youth have come here from time immemorial, congregating near outcroppings and around a concrete altar – a remnant of an earlier stone bridge. Most allow themselves a brief running start before launching their pale bodies into the void, where tentative suggestions of flight mark the response to gravity. Taken collectively, their gestures allude to ritual, a prayerful response to the exigencies of budding sexuality and a future rife with uncertainty. Halfstory Halflife is a distillation of the photographs made in the shadows of these falls, marked each summer by the emergence of young adults perched at a precipice both in space and in their lives.

In this fourth chapter of his project A Myth of Two Souls, Vasantha Yogananthan retraces the episode of the abduction.

“Dandaka” is the fourth chapter of Vasantha Yogananthan’s long-term project A Myth of Two Souls, which offers a contemporary retelling of The Ramayana. A seven-chapter tale first recorded by the Sanskrit poet Valmiki around 300 BC, The Ramayana is one of the founding epics of Hindu mythology.

Since 2013, Yogananthan has been travelling from north to south India, retracing the itinerary of the epic’s heroes. Between fiction and reality, he deliberately blurs the lines through multiple aesthetic approaches: colour, hand-painted and illustrated photographs are interspersed with vernacular images to compose the layers of this timeless story.

The end of chapter three sees Lakshmana cut Surpanakha’s nose off. After seeing his sister disfigured, Ravana, the king of Sri Lanka, starts to plot his revenge. Rama and Lakshmana have no idea that their barbaric act – the mutilation of a woman – has sealed Sita’s fate. The fourth chapter tells about Sita’s abduction by Ravana. The Ramayana has been continuously rewritten and reinterpreted through time, Dandaka mixes strips from the comic book version of the epic, which was published in the 1970s, along with Vasantha Yogananthan’s photographs.

A Myth of Two Souls will be published in seven photobooks between 2016-2020, one per chapter of the epic.