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Issei Suda

Family Diary

Issei Suda compulsively documents, with a great sense of humour, the daily life he shared with his daughter, wife, and dog.

Between 1991 and 1992, Issei Suda shot compulsively with a Minox camera, which is one of the smallest cameras there is. It is actually so small that it was commonly used for intelligence activities during the war. Issei Suda turned his lens towards the intimacy of his own home, documenting with a great sense of humour the daily life he shared with his daughter, wife and dog. The photographs presented in this book « Family Diary » — a title that Suda chose himself in the 1990s —, have never been published in book form before.

Issei Suda (born in Tokyo in 1940 and died in 2019) graduated from the Tokyo College of Photography. He initially worked as a photographer for the Tenjo Sajiki theater company, before becoming an independent photographer.
A photographer of everyday life, the instantaneous, the furtive and the snapshot, he teaches at Tokyo College of Photography and Zokei University in Tokyo, as well as at the Photography Department of Osaka University of the Arts. He has held over 190 solo exhibitions in his lifetime.
First edition
Photographs: Issei Suda
23 x 15 cm
Softcover with cloth and rivets
176 pages
80 black and white photographs
French/English/Japanese
Publication date: 10 November 2021
ISBN: 979-10-96383-26-9

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Deanna Dikeman

Leaving and Waving

This print is part of a series of 5 prints by women photographers that we have previously published: Deanna Dikeman, Clémentine Schneidermann, Moe Suzuki, Irina Rozovsky and Mikiko Hara.

Deanna Dikeman (born in 1954 in Sioux City, Iowa, USA) currently resides in Kansas City. She has photographed her midwestern family and surroundings since 1985, when she left a corporate job to try a photography class. She has M.S. and B.S. degrees from Purdue University. She received an Aaron Siskind Foundation Fellowship in 1996, and the United States Artists Booth Fellowship in 2008. She is a 2023 Guggenheim Fellow.

Photgraph from the book "Leaving and Waving"
Inkjet print on 100% cotton fiber archival paper
Image format: 20 x 15,3 cm
Print format: 22,5 x 18 cm
The print is sold with a signed copy of "Leaving and Waving"
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Christine Furuya-Gössler

Photographs (1978-1985)

Christine Furuya-Gössler captures her reality with an almost enigmatic distance. Photographs (1978–1985) brings together seven years of photography, revealed for the very first time.

Primarily known through the eyes of her husband, Seiichi Furuya, for whom she was the muse, Christine began taking photographs in 1978, when they met.

As a photographer of reality, she offers a unique vision of her private life and her relationship with the world. Furuya-Gössler photographs her family, moments of sharing and celebration, and her travels, all while maintaining a distance from anyone who tries to capture her essence. The palpable melancholy that pervades her images provides a glimpse into her inner world, yet it does not allow us to fully grasp or understand it.

Composed of more than 120 photographs, Photographs (1978–1985) showcases for the first time the work of Christine Furuya-Gössler, which has never been exhibited before. This monograph serves as the first posthumous collection of the photographer’s work, covering a creative period of seven years, interrupted by her death in 1985.

 

Christine Gössler was born in Austria in 1953. Christine studied art history before working as a radio documentary program-maker. She met Seichi Furuya in 1978, and began photographing at that time. After the birth of their son in 1981, she immersed herself in the world of theatre. While she began to show signs of schizophrenia. Christine committed suicide in East Berlin in 1985.
Editing and sequencing: Cécile Poimboeuf-Koizumi
Design: Cécile Poimboeuf-Koizumi, in collaboration with Perrine Serre
208 pages
129 black & white and colour plates
17 x 24 cm
Section-sewn OTA-bound softcover
French / English / Japanese
Publication date: June 2025
ISBN: 979-10-96383-51-1

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Deanna Dikeman

Relative Moments

In Deanna Dikeman’s family album, ordinary moments embody universal truths and become a source of daily wonder.

After publishing Leaving and Waving in 2021, which presented only a glimpse of Deanna’s Dikeman’s 3-decade journey to document her family, Chose Commune is proud to introduce the photographer’s larger series in an exhaustive 300-page book: Relative Moments.

In Relative Moments, Deanna Dikeman chronicles ordinary moments of her family’s activities. From gardening to cutting cake, from filling up the bird bath to mending a piece of clothing, from mowing the lawn to picking rhubarb, one gets to discover an everyday that might otherwise go unnoticed. In this book, which was generously edited and sequenced — 200 photographs in total — one is not only meant to see the moment shot in one photograph, but all the moments that compose the story. 

This project captures a visual history of the photographer family’s life, yet, there is an ongoing narrative embedded in these photographs that conveys larger, more universal truths about American culture, familiarity, and the endless source of everyday wonder that surrounds us.

Deanna Dikeman (born in 1954 in Sioux City, Iowa, USA) currently resides in Kansas City. She has photographed her midwestern family and surroundings since 1985, when she left a corporate job to try a photography class. She has M.S. and B.S. degrees from Purdue University. She received an Aaron Siskind Foundation Fellowship in 1996, and the United States Artists Booth Fellowship in 2008. She is a 2023 Guggenheim Fellow.

First edition
Concept, editing and sequencing: Cécile Poimboeuf-Koizumi
Design: Cécile Poimboeuf-Koizumi, in collaboration with Perrine Serre
304 pages
200 plates
21.5 x 26 cm
Section-sewn hardcover
French / English
Publication date: April 2024
ISBN: 979-10-96383-41-2

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