Category: landscape

With this latest series, Kazuo Kitai renews his practice. By transforming his archival images, he offers a new, sensitive and gestural reading, questioning the creative act at the end of a cycle.

In this new series, Kazuo Kitai revisits his own photographic archives: faces, bodies under tension, marching crowds, fragments of resistance. Known for documenting the protest movements in Japan during the 1960s, he now chooses to reactivate these images through a radical gesture.

By tearing his silver prints and covering them with paint, Kitai transforms photography into raw material. The documentary becomes abstraction; the image becomes a surface for a hybrid form, somewhere between calligraphy and painting. This work marks a break in his practice: it is no longer about bearing witness, but about reinterpretation.

In these black-and-white photographs, we see helmeted men, workers, police officers, students, inhabited streets, and suspended objects. The artist overlays them with vivid colors and inscribes the Japanese characters “I,” “RO,” and “HA” — the first syllables of the traditional kana order, the equivalent of the “A-B-C” or “B.A.-BA” in Latin script. A return to fundamentals, further emphasized by the numbers “1, 2, 3,” typically recited as a countdown before setting something in motion.

A manifesto in book form — at the intersection of memory, painterly gesture, and renewal.

Landscapes that are both intimate and spectacular, echoing the art of painting which Toshio Shibata studied. This book is designed as a journey, which literally unfolds, through artificial yet grandiose landscapes.

The book Painting reveals 16 unpublished colour photographs by Toshio Shibata, a Japanese photographer who is known for his rigorous and meticulous compositions. The representation of intimate yet spectacular landscapes — natural, and especially artificial — are at the core of Shibata’s work. In keeping with the tradition of painting that Shibata studied in his early years in 1968, this book celebrates the abstraction of beauty. It has been designed in a concertina format that can also be turned into a suspended object — just like a kakemono, a Japanese unframed scroll painting made on paper or silk and displayed as a wall hanging.